A Blue Collar Shakespeare: Philosophy in the Lyrics of Rush

I’ve been a Rush fan since I was about 15 years old when my friend introduced me to “The Spirit of Radio” and then “La Villa Strangiato”. The combination of sheer musical technicality, thoughtful lyrics and free-thinking nerdiness spoke to me as a lonely and introverted teenager living in a foreign country (our family had moved from Belfast to Chicago). “Subdivisions” was particularly close to my heart with its message of non-conformity (“be cool or be cast out”) playing out in the halls of my formidable high school.

With the lockdown, and with the recent death of Rush’s drummer and lyricist, the late and great Neil Peart, I’ve set about re-listening to the Rush catalogue and thinking about the philosophy (or philosophies) behind their songs.

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CovidDiary Day 19 (Weds 8th April 2020)

What if this quarantine is just saving middle-class lives? That’s the question raised in this New York Times piece. The article runs with the headline: “white-collar quarantine”.

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CovidDiary Day 12 (Weds 1st April 2020)

Reading the news about football clubs who are placing non-playing staff on furlough, I can’t help but reflect on the moral state of our contemporary economy. I am left feeling pretty depressed.

I’m depressed at the absolute prioritisation of profit over people. As Julian Knight (MP) has put it, “This exposes the crazy economics in English football and the moral vacuum at its centre…It sticks in the throat”.

We have made the acquisition of capital itself a virtue. At the same time, we appear to have abandoned those true virtues of philanthropy, generosity and helping one’s fellow man.

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