As genres, science fiction and fantasy have often gained the reputation of being a bit morally black and white. In short, fantasy would offer us the choice between the realm of good and the realm of evil. Like oil and water, never the twain shall meet. In perhaps the most famous example of science fiction, George Lucas’s Star Wars, the starkness of this divide is rendered in visually unmistakeable terms—on the side of evil, Sith menacingly wield their red lightsabres, and on the good, Jedis heroically bear bright swords radiating the more positive hues of green and blue.
Recent fantasy has sought to blur the ethical lines and render stories that are more morally complex. In his immensely popular epic, Game of Thrones (or Tales of Ice, Wind and Fire), George R. R. Martin famously kills of good and noble protagonists while allowing evil tyrants to live on. Martin is somehow able to make the most hideous protagonists worthy of our sympathy.
Martin was not the first to try his hand at building a more sophisticated moral universe. If we look a bit further back, we can locate an even more realistic, and even more hopeful, depiction of good and evil. It is in the trilogy that effectively gave birth to modern fantasy, J. R. R. Tolkien’s The Lord of the Rings, that the power of evil and the human capacity for wrong—what the Christian tradition calls sin—arguably finds its most convincing depiction within the genre.Continue reading “Sin in The Lord of the Rings (Book 1)”