A Blue Collar Shakespeare: Philosophy in the Lyrics of Rush

I’ve been a Rush fan since I was about 15 years old when my friend introduced me to “The Spirit of Radio” and then “La Villa Strangiato”. The combination of sheer musical technicality, thoughtful lyrics and free-thinking nerdiness spoke to me as a lonely and introverted teenager living in a foreign country (our family had moved from Belfast to Chicago). “Subdivisions” was particularly close to my heart with its message of non-conformity (“be cool or be cast out”) playing out in the halls of my formidable high school.

With the lockdown, and with the recent death of Rush’s drummer and lyricist, the late and great Neil Peart, I’ve set about re-listening to the Rush catalogue and thinking about the philosophy (or philosophies) behind their songs.

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CovidDiary Day 5 (Weds March 25th 2020)

In the wake of Covid-19, libertarianism appears to be on the back foot. From tacitly enforced government social distancing and isolation, to top-down regulation and intervention in markets and business, it looks in many ways like we are witnessing the limits of the libertarian creed…

From my perspective, this marks a positive development. Before I go on, I want to state some of my premises and define my terms: I am wary of those who place unfailing trust either in the market or in the state—these two poles seem to have the common fatal flaw of misplaced trust and a poorly worked out anthropology. What usually functions as a spectrum moving from more statist solutions to more market-centric ones, on closer inspection appears to bend and meet where these two positions are concerned. And yet this is a broken world. The markets are broken, and the state is broken. Because people are broken. When all is said and done, that’s the baseline, the undercurrent of my thinking on the matter.

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