Tobias Phelps, drawing on Stephen Marche, draws attention to the difference between the Pose and the Voice in politics. As he explains:
Continue reading “The Pose and the Voice in Politics”
The Voice, a product of post-war literature’s emphasis on identity and experience, encouraged verbal originality and idiosyncrasy, the fullness of personality poured onto a page. It was flawed, often belligerent and short-sighted, lacking the range of the modernists or the authority of earlier writers. But at least it had spirit.
The Pose, however, is a product of distinctly 21st Century anxieties — its “foremost goal” is to “not to make any mistakes.” It is “language trying not be language, with the combed-through feeling of cover letters to job applications in which a spelling mistake might mean unemployment.” And as with Starmer’s brief reflections on his upbringing, “the style grows less personal even as the auto-fictional content grows more confessional.”